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Thursday, September 10, 2026


 Welcome September!

To celebrate late summer, I'm sharing my favorite recipe for bread and butter pickles!

Bread and Butter Pickles


Makes 7-8 pints of pickles

4 quarts thinly sliced medium cucumbers 

8 medium white onions thinly sliced, 

1/3 cup pickling salt,

 3 cloves garlic, 

1 ½ tsp. turmeric, 

1 ½  tsp. celery seeds,

2 tablespoons mustard seeds

cracked ice, 

4 cups sugar, 

3 cups cider vinegar,



1.  In large bowl combine cucumbers, onions, salt and garlic. 

Add 2 inches of cracked ice. 

Cover with lid and refrigerate for 3-12 hours.


 2.  Remove any remaining ice.  Drain mixture well in a large colander. 

Remove garlic. 


3. Prepare 7-8 pint canning jars, bands and lids by washing well and sterilizing

with boiling water. 

Put lids in a small bowl and cover with hot (not boiling). 


3.  In a large kettle combine sugar, vinegar, mustard seeds, turmeric,

and celery seeds. 

Heat to boiling.  Add cucumber mixture.  Return to boiling.


4.  Pack hot cucumber mixture and liquid into hot, sterilized pint canning jars,

leaving a 1/2 inch headspace. 

Wipe jar rims; adjust lids.  Process in a boiling-water canner for 10 minutes. 

Remove jars, cool on racks.


Tuesday, July 10, 2012


Thank you Karin Kaufman for tagging me for your "blog hop"  entitled, "The Next Big Thing."  Yes!  I do have a WIP (work in progress) and consequently it does seem like my blog has been too quiet lately.  Don't be fooled!!  That does not mean that stories are not cooking!

Here are my answers to Karin's questions followed by a few writers for you to explore.


1. What is the title of your book/WIP?

My newest book is just beginning.  I have not decided for sure on the title.  I am hoping to keep "Night" in the title, but it may not work.

2. Where did the idea for the book come from?


A trip to France in April.  I'll incorporate quite a bit of action in France.

3. What genre would your book fall under?


Mystery / suspense but with a healthy dose of clean romance, like the others.

4. Which actors would you choose to play your characters in a movie rendition?


Oh my.  Don't know...  Maybe Katie Holmes (she's available, I hear) and maybe Hugh Jackman?  Maybe someone totally new.

5. What is the one-sentence synopsis of your book?


An innocent trip to France to relax and sort out her life lands Clare square in the middle of international intrigue and danger.

6. Is your book published or represented?


Not yet!

7. How long did it take you to write?


Still a WIP.  I hope to have it done in December.

8. What other books within your genre would you compare it to?


It is most like my other books.  Strong female characters, strong sense of place, suspense, romance.

9. Which authors inspired you to write this book?


In a way, every author.  I have read so much and have learned so much from others!

10. Tell us anything else that might pique our interest in your book.


While all my books are "stand alone" this book as well will be most fulfilling, I think, if one reads it after reading the others: Night Walks Softly , Should Night Come  and Silent Night.   Characters from all three books will reappear and their stories will continue in context with Clare's story in book four.


Some writers to watch whom I have tagged:  
Gail Baugniet :  http://gail-baugniet.blogspot.com/
Karin Kaufman: http://www.karin-kaufman.blogspot.com/2012_07_01_archive.html
Nadine Feldman: http://nadinefeldman.com/

Monday, March 5, 2012

Interview with Dina Silver

    One Pink Line Dina's blog





  1. 1.  Tell me about your story, not just an overview, but what it is that makes it special to you.
Image of Dina SilverOne Pink Line is very special to me because it was inspired by a girlfriend of mine and her life experiences. She found herself unexpectedly pregnant at a young age, just as she was graduating college, and was faced with many difficult decisions. After hearing everything she went through, I found that at the core of her experience was a really wonderful love story…and I just had to write about it. It’s also special to me because it’s sort of a blend of my experiences and hers, and from what I can tell…it really seems to be touching people.

  1. How do you develop a character?
  My characters are almost always based on people I know, or people I’ve met throughout my lifetime. The great thing about even the goofiest person in our lives is that there is always some one who can relate to them. Everyone’s had a crazy relative, a snobby friend, a jerk of a boss - so for me it’s merely dipping into my own reality show and finding the things that make certain people interesting and impactful. Even if someone is a shy, mousy wallflower, they can still have a bold impact on your story.

      3.   How does plot happen for you?  Does it evolve as you write or do you outline it in advance?  Describe the process.
  I am not a fan of writing an outline. I have written two novels so far and each one has literally spilled out onto the computer when I sat down to write. I truly don’t believe I could write a story unless I have it worked out in my head first. I’m not saying that character studies or plot development are a waste of time, it simply works better for me to write in a more freestyle manner.

  1. I see that you have written your book in the first person.  Why did you choose that point of view?  In what way does it make your work stronger?  Did the POV present challenges for you?
  Both of my novels are written in the first person, so I guess this is the POV I’m most comfortable with. While it does limit you to only one person’s opinions and interpretations, it’s easier for me to channel myself into my protagonist if I can hear her voice and write through her emotions.
  1. What personal experience do you bring to your book?
  A great deal, actually. Many of the scenes in both, One Pink Line, and my next novel, Kat Fight, are lifted from my own life experiences. It can be very therapeutic!
  1. What other projects have you written?  What plans do you have for the future?
  My next book, Kat Fight, will be released this June. It’s a romantic comedy, and my goal with this one was to really concentrate on the comedy. I always try to infuse as much wit into my work whenever possible, and Kat Fight really delivers in that department.
7.  What else can you tell us about yourself or your work that we might find of interest?
Just that I feel so grateful to be able to self publish and finally have my writing available to people. That being said, it’s still a ton of work. I spend hours (not 2 or 3, more like 6) a day trying to market my book and myself and reach as many people as I can. The work truly begins once the book is done!

Wednesday, February 22, 2012

Interview with Karen Bergreen






What a treat !   This week I was lucky enough to interview Karen Bergreen, an attorney turned stand up comic, a mother and a writer.  Karen's novel, Following Polly,was deemed better than The Nanny Diaries by one reviewer.  That got my attention.  

Following Polly has been recommended by both The New York Times and O Magazine.  Karen plans to release her second book, Perfect is Overrated, in July.  

Perfect is Overrated looks like another great Chick Lit type book.  Here is a bit from the "blurb" on Amazon.  

"What the best cure for post-partum depression? After years of barely moving, Kate springs back to life when the mothers-you-love- to-hate in her daughter’s preschool begin to turn up dead." 

Here's her take on what she does and how she does it!

1. Tell me about your story, not just an overview, but what it is that makes it special to you.


 I grew up in Manhattan, attended Harvard College, went to law school and worked as a lawyer at a well respected firm, but my parents really wanted me to become a starving stand-up comic so I gave up everything I knew and started from the beginning.
2. How do you develop a character?

 I always say start with the truth and end with a lie.  You don't want to describe your best friend or mortal enemy on paper--that's what all those years in the law has taught me. I usually obsess over a particular aspect of an individual I may or may not know well.  For example in Following Polly, I created Mona Hawkins, an unpleasant casting director. I do some acting, and there is a particular casting office I can't stand.  Every time I'm there, the assistants along with their boss spend more time studying the various NYC takeout menus than in moving along the auditions.  It's like a big lunchroom over there.  But the woman who owns it is super skinny and sneers at the non waify actresses--even if the script calls for someone with a little chunk. 

But that isn't interesting enough for me to put in a comic novel.  So I make the boss a former chubster who has had bariatric surgery but still wants to eat all of the time. She is obsessed with every restaurant in the neighborhood and forces her underlings to code the menus.  She eats ten bites of ten entrees every day for lunch and refuses to let anyone give the leftovers to the poor.  From this, her character grows.  Anyone who does this isn't nice to work for.  And then I imagine all sorts of horrible things a mean, hungry, control freak boss could do to people over whom she has power. It's kind of fun.
      3.  How does plot happen for you?  Does it evolve as you write or do you outline it in advance?  Describe the process.

Plot for me starts with a premise. In Following Polly for example, I asked the question: what if someone were to follow someone else around obsessively?  Again, this just isn't interesting enough to sustain a whole novel.  So I ask, what could make it interesting?  I know, I say to myself: the followed person ends up dead.  And then to make it more interesting, the follower is the obvious suspect because she has left a trail of evidence. 

Alas, I  then have a problem, I want the book to be a fun, and death is less fun than no death.  But all is not lost.  I make the character Polly so loathsome, we don't mind that she is killed.  And I make Alice so sympathetic that we don't mind that she is so insane that she followed her.  So I have to do the back story on both.  The remainder of the  novel moves forward by Alice getting out of the situation based upon what she learned while she was following Polly.  And because I need to have a little romance, I  throw in my fantasy love story.  
4. Do you write in first person?  Third person?  Why did you choose that point of view?  In what way does it make your work stronger?  Did the POV present challenges for you ?

I write in the second person.  It's all about you M.H. --haha

First person is easier for me. I have a lot of acting training so when I write I become the character I'm writing. I became Alice in Following Polly--Alice is funny, un-confident, and insecure--she is sort of an orphan, and she has no idea what she wants to be when she grows up.   In my new book Perfect is Overrated,  I became Kate. Kate is way more confident and competent than I am, but I write as if I were incredibly self-assured.  Becoming the character makes it easier to write. 
5. What personal experience do you bring to your book?

Interestingly, I followed a person and then she was murdered and I was the suspect--Nah, but wouldn't that be awesome.  I bring some of my emotional life to the book.  Like Alice, in Following Polly, realizing my hopes and dreams didn't come easily to me.  I was paralyzed by other people's expectations of me. As for Perfect is Overrated, my upcoming novel, the protagonist is getting through post partum depression.  I pulled some of my own struggles from when my children were very small.  The book also satirizes some of the Mommy-types with whom we are all familiar.
6. What other projects have you written?  What plans do you have for the future?

Perfect is Overrated will be out in paperback and in all of the e-books in July. I am going to keep writing more of these coming of age for women tales.  I also have an idea for a YA.
7.  What else can you tell us about yourself or your work that we might find of interest?
As I said, I am a comic. I perform all over the country.  I love Facebook and I write funny posts. Friend me

Karen Bergreen
Following Polly: A Novel
kbergreen@aol.com




Here are links to Karen's two books:

Sunday, February 19, 2012

Interview with Gail Baugniet

Author Gail Baugniet treated me to one of her Fast Five interviews.  Gail Baugniet's blog post is HERE

Here is a peek:


FAST FIVE: Maureen, can you share with us a more detailed account ofNIGHT WALKS SOFTLY and your research for the novel?

M.H. GERBER: Night Walks Softly is Anne’s story. We start in the middle of the action; Anne has already fallen in love, decided to leave Chicago and her job at the Art Institute, a job, not a career, to marry Dan Stedman. Dan’s dream is to go back to the town of his roots, to open a law practice, and to have a life that matters all while surrounded by family and community. He is steadfast and rooted, qualities that Anne finds appealing from the start. She has never felt “solid” in her setting; she is looking for meaning. Anne wants connections........


Sunday, January 15, 2012

P. 82 Blog reviews p. 82 of Silent Night!

Herb Mallette is an author with an interesting concept.  He is asking authors to share page 82 of their books, and using this one page, he'll write a review and decide if the book is compelling.

 I like page 82 of my newest book; therefore, I thought that maybe he should take a look.

Click on the link to see his response, and his review of page 82 of other works, some famous!

Plus...you get a peek ahead into Silent Night.  Just a peek though!  Hopefully some of you will read Silent Night, my most romantic and hopeful book yet.  Take care!

Herb Mallette's review of page 82 of Silent Night

Monday, January 2, 2012

Night Walks Softly. On 5-star books again for January!

Night Walks Softly has been selected for another month on 5 star books!  Go to their site to find great books for your kindle or nook.  Night Walks Softly on 5-star books.
  Breaking news!  Should Night Come just selected!!

Friday, December 30, 2011

Chapter One : Silent Night

Spoiler alert :  All three of my books are a series.  The best way to read them is in order.
Book #1 Night Walks Softly   Book #2 Should Night Come   Book #3 Silent Night

My books are 2.99 and are available at Amazon, Barnes and Noble and Smashwords.


Silent Night will be available soon.  I am so excited to share Deb's story with all of you.


Please consider joining this blog (bottom right) for more updates!   Leave me some comments!  Thank you!  Happy 2012!  MHG

If you've read the other two books, go ahead and take a peek at chapter one of Silent Night.












1.

    The day Deb found out that she had cancer was the same day she feared that Gary was back.
     It was early December.  Heavy round white clumps of snow bent young tree branches almost to the ground.  They sprawled at the edge of the sidewalk.  Though Yellow River looked like a fairyland with cottony panicles of white covering the trees, Deb noticed the jagged branches, leftover like a snowball that had exploded at its target.  Deb was jogging, as she always did in the early afternoon.
    The sweat beaded on her back and neck under the heavy down jacket.  She took off her mittens.  She could feel cold air rush into her lungs as she breathed in.  The crisp air invigorated her; she went faster.  The workouts were a routine for Deb, a necessity since she spent so much time in the kitchen surrounded by that which was delicious.
     Deb was a cook.  She was the kind of cook to cook for cooks, a perfectionist, an artist with food.  Food was her passion and also her bête noire.  If she had the ingredients, the timing, the precision just the way she wanted them, all was well with the world.  If not, she felt she had failed.
     It was this attention to detail and sheer skill with a pan, a rolling pin, or a spatula that had made Deb an instant success in the small town of Yellow River.  Her shop was her home.  She planned parties, catered events for the hospital, for local companies, for civic groups.  Her vision had improved Yellow River’s collective palate in the seven months she had been in business.  Mesclun had replaced iceberg, Gorgonzola had won out over Swiss.
     She jogged up to the house.  Her headband was sweaty; her face glistened.  It was time for a shower and then off to her office for organizing.  She had cookie trays to do for the Women’s Society and hors d’oeuvres for a local attorney’s holiday party.  And a wedding on Saturday.
     Her cell phone rang.
     Deb thought about not answering.  The phone ruled so much of her life as an independent businesswoman --- quick frantic calls for a dessert when the flàn had failed or measured organized voices demanding Deb’s capable perfection for an evening soirée at one of the grand homes on the river.  Deb did it all with finesse.  But something inside her did not want to break the still peace of that afternoon.  The light hit the snowy trees and made them sparkle as her feet jogged on.  She sighed and slowed to a walk.  This was their livelihood.  She picked up the phone and opened it.  “Hello?”
     “Mrs. Schloss?”  The voice was professional, disinterested.
     “Yes?”  She knew then that it was not an order.  Orders to the shop always came for Deb.  Only Deb.  She no longer considered herself Mrs. Schloss.
     “Your mammogram showed some areas of concern.  Could you come over today to have another look?  The doctor wants to see you.” 
     Deb’s breathing came in bursts, lungs fighting to get air as her mind fought to take in this news.  The world was suddenly grey.  She shivered.  “How soon?”  She whispered, eyes floating up to the sky and fixating there on the scattering of clouds that blanketed the sun.
      Just then Christina rounded the corner, face rosy with life, skipping.  The sight of the high blond ponytail bobbing with each stride, made Deb smile.  She waved and pointed to the front door. Deb walked in with Christina, patted her daughter’s head and scooped up the mail with her free hand.  
     The receptionist had found a free appointment.   “I see.  Tomorrow is fine.  Eight o’clock is good.”  She sighed and snapped the phone shut.  She just would not think about it now.  This happened all the time, she told herself.  She was healthy.  She ate right.  She followed the rules.  She was good.  This would just not happen to her.  It could not happen to her.  Not now.
     They had entered the house, warm air wafting around them in a cocoon of comfort.  She flipped the mail over in her hands and smiled at Christina.  “How was your day?”
     Christina had hung up her coat and put her boots and mittens in the cubby in the mudroom.  The back hallway connected the kitchen door to the back door with the stairs to the basement off to the side.  There was just enough room for a set of hooks for jackets and a small bench with boots tucked underneath.  A cubby for mittens was on the seat.  Deb pulled off her headband and gloves and stowed them there.  She put her coat on the shiny brass hook right next to Christina’s.  Their two coats.  That was just as it should be.
     Christina reached for the cookie jar.  She had thought of the molasses cookies all day.  “School?  It was fine. We had a substitute.”   She bit into the cookie, finding it soft and sweet with a little bite of spice. 
     Deb paged through the mail.  So much junk mail, she thought.  And bills.  And nothing in the paper.  Then she stopped.  There, out of the corner of her eye, she saw the headline.  She looked up.  Christina was balancing on the balls of her feet and looking out the window, humming.
      “Do you have homework, honey?”   Deb’s question was sharp.  Christina’s ponytail stopped bobbing.
        Deb’s heart pounded in her chest, drowning out everything.  She felt faint.   She breathed and steadied herself.  First the doctor’s office and then this?   She attempted a smile.  It was a small upward movement of the corners of her mouth that fought not to be a grimace.
     Christina put her heels back down.  “Homework?  Yes.   I have a whole story to write!  And illustrate.”  She cocked her head to one side, ponytail flopping to follow suit.
     Deb’s smile was genuine now.   Christina loved that kind of thing.  “Why don’t you get started?  I’ll call you for dinner.”
      Christina grabbed her backpack.  “Kay.   Is Peter coming tonight?”
       Deb’s hand went to her forehead where she could feel the ridges on the skin.  Her worry lines.   “No.  No.”  Thank heaven, she thought.  “Not tonight.  Tomorrow.” Christina was already up the stairs.
       Deb sat at her round oak table and stared a moment at the paper.  “Local doctor” was all she could see.   She unfolded it and spread it out.




     Phillip sat back in his chair in the stone villa.  It was frosty outside, no snow in the Paris suburbs, but a chill was in the air, none-the-less.  A faint fire crackled in the ancient stone fireplace, large enough for him to walk into.  He put one leg over his knee and stared into the coals.  It would be Christmas soon.  He would be seeing Anne.
     He had tried to forget Anne.  She was married.  She was a mother.  Yet, despite all of that, he was still in love with her.  This sentiment was made only stronger by the fact that his mother was gone.  He would be spending his first Christmas without her.   If grief were a process, he thought, his journey of this past year must have been a part of all that.
     He stared at his bag, a simple leather carry-on, sitting in the corner by the door.  There was a slow rap at the door.  Phillip sighed and pulled himself out of his chair.  He was in admirable shape for a man of his age.  Long strong legs, thin hips and broad shoulders, not too broad, just broad enough to give him a lean yet refined look.  He wore his signature jeans and pressed white shirt, arm creases adding a sharp vertical line.  His work clothes. 
     His hair, completely grey, was trimmed short and showed off intense brown eyes and the kind of mouth that was always fooling, always laughing at something, another, a situation, or himself.  There was a furrow to his brow now, a furrow that before losing his mother, had not existed.  It had been a hard year.
     He walked to the door and opened it, long strong fingers grasping the timeworn wrought iron handle.  A gust of wind blew in with the visitor, a hugely Gallic man.
     “Ah, Bruno!”  Phillip smiled.  “Please!   Come in.”
     Bruno, answering in a French that was much more filled with patois than Phillip’s standard version, shook his head.  “Monsieur.  You air crah-zy, fou!  Zair eez nozing for uu thair, een Amérique!   Geet a good French wife.  You air steel young!  My wife, she say you vairy good-looking…”   He winked.
     Phillip looked down, still smiling.  “So you want me to take her off your hands?”
     The burly man slapped him on the shoulder.  “Zat ees a promesse?” 
     Phillip nodded toward the bags.  “Bruno, I’ve left every instruction in the kitchen.  Just watch the place for me, will you?   And thanks for the lift to the airport.”  He walked back to the fire and put out what remained, lost again in his own thoughts.  The last embers flickered and went out.  Time to go home, he thought.


           The paper sat on the table, opened.  Deb put her head in her hands.   He was out.  The paper had said that Gary had been released because police evidence was not admissible.  Tampering with evidence.  Hung jury.  Could not come to a conclusion.  Mistrial, out until the prosecution can perform another trial.   She did not understand any of it.   Her head felt like a lead weight. 
           The kitchen was still the same kitchen.  French blue paint, natural pine woodwork, and vestiges of her passion, her livelihood, everywhere.  She had cookies cooling on racks, phyllo cups baked and ready for the surprising combination flavors that would make up the fillings.  On the sturdy farm table rolls rose in the huge blue stoneware bowl, pushing the damp towel that covered them up, burgeoning, growing.  She hoped that if she did have cancer, it was not like those yeast cells, popping up bigger and bigger with happy abandon.  She put her hands to her breasts.  She shook her head.  She had no way of knowing.
        She watched the dark sky start around the corners of her kitchen window.  Outside, the landscape was the desolate flatness of northern Indiana in the winter.  Flat, plain, and in its simplicity, very comforting and beautiful, in the minds of many.  Not to Deb.  Not today, not any day.  Deb lived in the moment.  She stayed busy, and while she would notice the golden brown and flaky crust of a perfect croissant, or the gentle mix of a new set of spices, noticing the beauty of a landscape that had been her background all her life was not typical.   She watched the darkness and could only think of what night would bring.  How would she ever sleep knowing that the doctor may find something terrible and that Gary may be outside, waiting and watching?




Thursday, November 17, 2011

A New Yellow River book is on the way.



Silent Night
         Third in the Yellow River Series
      

                     Coming soon ...   Look here for chapter one on Christmas Day!

Sunday, October 9, 2011

For My Dad

My dad lost his battle with cancer last year on October 11.  This is for him.


For you, Dad


What I miss the most is not the pomp and circumstance, not the special moments.  I loved the special moments, of course.  But I miss the routine.  The ease of the daily routine.  Breakfast with the newspaper.  Coffee.  Talking about the world, the government, taxes.  Sitting at that table, with him in his chair, and just being.   Not in a hurry.
  
Or, walking the dogs.  Or, going to the store.  Or the way he would always take a bag of trash with him on his way out.  Or the way he’d come in the front door on his way back from the Y, clean and scrubbed, in his sweat pants and carrying groceries.  Something he’d found for us.  Poptarts for the kids.

I miss sitting in front of the TV with him.  I don’t watch TV, but with him, it was a shared activity.  So much nonsense.  We’d laugh together.

I miss his humor, his kindness, his counsel, his pride, his strength, his devotion, his history, his intelligence, his perception, his courage, his generosity, his very presence.  I miss his laugh.  I miss his handwriting—firm, strong, confident – it was a script that spoke volumes about the man.   I miss his kiss on the cheek and the way he’d watch my car until I was out of sight.

I miss that he always did what he said he would do.  Always.

My Dad is gone one year.  He was an inspiration by virtue of his courage.  He fought for life to the end.  He fought for me to the end.  Because he was first and foremost, my dad.  He was my hero.  And so, I miss him.  Terribly.

But I know when I look into the mirror, that he is there, reflected in the light in my eyes.  He is in my kids, a surprise glimpse I get now and then that causes me to catch my breath. 

I think of those talks over morning coffee or while walking dogs and I smile.

But I still miss him.  I always will.

Tuesday, October 4, 2011

Love to Sew!

Here I am in my mother of the groom dress in rosy pink satin.   I made it myself from two patterns.  Comfortable, easy and fit to me.   It was a truly wonderful day!

Saturday, October 1, 2011

A Good Lesson / A Good Life

Here are ten important things for any good lesson.   I suppose, "lesson," could be used metaphorically.  Maybe these thoughts could work for any day in our lives, and all of those days taken together-- our lives--- show what we have learned.  Just a little philosophy for a sunny day in fall.


A Good Lesson
1. Is relevant. It links to what was done the day before, connects to what will be done in the future. It is part of a continuum of learning that makes sense to students.
2. Is presented in a systematic way. Anything is easy when broken into parts. It is up to the teacher to break it down and then put it back together for (and with) the students.
3. Gives time for kids to use the concept themselves. First, the concept is modeled and drilled, then it is available for the kids to “run” with.
4. Has ongoing assessment---question / answer, exit pass, partner work, quick write and check, speak and check, etc.
5. Has some surprises. Leaves kids excited about what awaits them the next lesson BUT has some predictability so that kids can understand what is expected of them.
6. Always instructs. Always teaches something new. 
7. Spirals. Should mix in the new and old. Each concept or vocabulary word is like a lego: not much on its own, but once understood, able to be used to build again
and again. 
8. Piques curiosity. Encourages students to further investigate on their own. 
9. Is primarily in the target language with the teacher taking care to mostly use
vocabulary the students understand and mix in new words here and there. 
10. Garners respect from the students. They know when they are learning and when the teacher is putting it all together in a professional way. When the teacher cares, the kids care.

Friday, September 23, 2011

A Wedding is a Beginning ...


     How fitting it was that my son’s wedding was on a fall day enveloped in crisp air and kissed by a slanting golden light that bathed everything in softness.  It was a perfect day.  The day, the time, and the moment.
      It was perfect in how it played out.  The musicians were practiced, the soloists adept, even the mothers, I and Paula, my motherly colleague, played our roles well.  But it was the little things that made it most perfect to me.  The bride glowed, the minister knew them and connected, with them and with the congregation.  My mother had a flower and a special escort.  The chocolate favors melted on my tongue and made me smile.  The groom was gallant.
      And so now I think back.  It is hard to remember a wedding verbatim, especially if it is the wedding of someone dear.   But I remember the feelings:  pride, joy, serenity.  And those feelings will be always with me.
       In tribute to mothers, and families and brides and grooms, I’d like to open the blog for the next few weeks.  Share what you loved most about a special wedding.  I’m eager to hear your thoughts!  MH

Tuesday, September 6, 2011

Chapter Two


2
Broken Morning

     Sherry opened her eyes.  Soft blue light was beginning to filter into the bedroom.  She turned her head to check for Parker’s small tousled head of hair.  His head was almost entirely under the covers, just a lock or two poked out.  He had wandered into her bed during the night, something he often did.  Sherry eased herself out of bed, pulled on a cotton robe, and checked her watch.  Five o’clock.  Did he come in last night?
     She closed the blinds on all the windows to encourage Parker to sleep in and tiptoed out to the kitchen.
     The scene was static and unbroken.  No briefcase, no tie tossed on the sofa table or black socks balled up on the rug.  The glass-topped coffee table had one glass of wine, half drunk, just where Wills had left it.
     With a quick nervous movement Sherry tucked her hair behind her ears.  What was not there was causing something deep down in the recesses of her stomach to begin to bubble.  Craig had not made it back.  She ran to the door just to be sure.
     She opened it.  The silky wet cool lake air hit her in the face with a soft caress.  Sherry had always loved the air at the lake.  Full of life-giving oxygen, she would say.  Full of energy.  Now it made her shiver.
     Her car, a squarely clunky SUV, sat alone in the driveway.  Its black shininess reflected the intensifying light.
     She shut the door and stood with her back to it, heart racing.  Something was wrong.  Craig would be here.
     She closed her eyes for a moment and pictured him.  She had met him six years ago.  At work.  Sherry had married the boss.
     How excited she had been to land the job.  An accounting graduate, Sherry did not want to move far away.  She liked Yellow River, despite its tiny size and provincialism.  It was home.  And after her father had been diagnosed, she couldn’t leave.  Not then.
     So she met Craig Ross.  Five years her senior, smart, driven.  Craig was an Ohio boy, a suburban boy, who loved boats and bucks he told her.  He wanted a job that was fun every day.  He wanted to build boats.
     He had impressed her that day not with his dark good looks and intense brown eyes, but with his energy and his vision.  Sherry was not a dreamer; she liked getting things done.  Craig could do the dreaming for them both.
     Sherry came abruptly back to the present.  She looked at her watch.  Five-thirty.  She made a cup of coffee in the microwave, grabbed her cell phone, and opened the sliding door to the expansive deck.  She had to do something.
      The lake was smooth and still like a huge plate of silver glass.  Birds chirped with abandon.  It promised to be a beautiful day.  A thirty-foot speedboat, pontoon, and 17-foot sailboat, a fleet of Boat Company boats, bobbed on the water.  Kayaks, canoes, and skidoos were stored nearby.  The Ross cabin was a lake lover’s paradise.
     She took a sip of the too hot liquid and burned her tongue.  Tears filled her eyes.  She let one course its way down her cheek.
     She checked her watch again.  Five forty-five.  She picked up the phone and dialed.  “Mom?”  Her voice was strained, foreign sounding.
     Carol Kneifer had been stirring milk into her morning coffee when the phone rang.  “Sherry?  What is it, honey?”
     “It’s Craig.”
     “Is he sick?”
     “I don’t know.” Her voice broke.
     “What Sherry! What is it?”
     “I don’t know where he is.”  She started to talk, stringing her sentences together in a flat monotone voice, feeling strangely as though she were watching herself talk on a movie, or on the news.
     Carol listened to the sequence of events.  “Honey, call Dan.  He’s the company lawyer.  He’ll know what to do. You can trust him you know.  You haven’t been so sure about the others.”
     “Do you think it’s too early?”  The sun was the color of an egg yolk and moving higher into the sky.  It was six o’clock.
     “He’ll talk to you.  Call him.”


  
     Anne was in bed when the phone rang.  She was in her second trimester and was feeling good, but tired.
     She pulled the covers up over her head when the ring pierced the silence of her bedroom.  Air-conditioned air made the room comfortably cool in the huge Victorian house.  She tried to snuggle back down under the covers but curiosity overcame her.  Who calls at six on a Saturday?   Anne doubted that even her in-laws, Renata and Carl Stillman, were awake this early.
     She pulled on a zip-front duster and ran her fingers through her shoulder-length red hair.  Then, suppressing a yawn, she made her way down the back stairway to the kitchen.
     “O.K.  Back up Sherry.  Exactly what did VanHorn say?”
     Sherry?  Anne fingered the handle of the coffee mug she had picked up. She would drink her morning orange juice in the mug.  It was the next best thing to drinking coffee.  Well, she told herself that anyway.
     Dan stood, back to her, at the kitchen phone.  He was writing on a notepad.  “O.K.  I’ll call Howard and get back to you.  Try not to worry Sher.”  Dan hung up.
     “What was that about?”  Anne held her orange juice mug between her palms.  She was carefully curious.
     “That was Sherry.  Sherry Ross.  Have you met her?”  Dan almost looked embarrassed.
      “Noooo.  You know I haven’t met her.  Why is she calling you at dawn?”
      “I don’t know.  Well I mean I know, but I don’t know what the real explanation is.”  Dan grinned.  “Sorry, but that confidentiality thing gets in the way again.  Gotta go see Lou Howard at the police station.  Hang tight, I’ll be back.”  He grabbed his keys and made his way out the door.
     Anne patted her tummy.  “I do a bit too much hanging these days.”  She sighed and sat at the oak table in the large airy kitchen.  The sun was already filling the rooms from the east, getting ready to make its circuitous trip around the south and west facing windows in the course of the day.  Anne sipped her juice and traced the pattern of the wood grain on the table.  Sherry Ross.  Dan’s high school flame.  Calling him at dawn on a Saturday.  What did she make of that?



     When Sherry got Dan’s call she was ready.  She grabbed her keys, Parker still in his pajamas, and Katie, changed, fed, and strangely quiet, and walked out the door.  She left a note on the kitchen counter.
     “Wills, I’m running to the local police station to fill out a report.  We need answers.  You know where everything is.  If you hear from Craig, call me ASAP.  Here’s my cell number.”