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Monday, March 5, 2012

Interview with Dina Silver

    One Pink Line Dina's blog





  1. 1.  Tell me about your story, not just an overview, but what it is that makes it special to you.
Image of Dina SilverOne Pink Line is very special to me because it was inspired by a girlfriend of mine and her life experiences. She found herself unexpectedly pregnant at a young age, just as she was graduating college, and was faced with many difficult decisions. After hearing everything she went through, I found that at the core of her experience was a really wonderful love story…and I just had to write about it. It’s also special to me because it’s sort of a blend of my experiences and hers, and from what I can tell…it really seems to be touching people.

  1. How do you develop a character?
  My characters are almost always based on people I know, or people I’ve met throughout my lifetime. The great thing about even the goofiest person in our lives is that there is always some one who can relate to them. Everyone’s had a crazy relative, a snobby friend, a jerk of a boss - so for me it’s merely dipping into my own reality show and finding the things that make certain people interesting and impactful. Even if someone is a shy, mousy wallflower, they can still have a bold impact on your story.

      3.   How does plot happen for you?  Does it evolve as you write or do you outline it in advance?  Describe the process.
  I am not a fan of writing an outline. I have written two novels so far and each one has literally spilled out onto the computer when I sat down to write. I truly don’t believe I could write a story unless I have it worked out in my head first. I’m not saying that character studies or plot development are a waste of time, it simply works better for me to write in a more freestyle manner.

  1. I see that you have written your book in the first person.  Why did you choose that point of view?  In what way does it make your work stronger?  Did the POV present challenges for you?
  Both of my novels are written in the first person, so I guess this is the POV I’m most comfortable with. While it does limit you to only one person’s opinions and interpretations, it’s easier for me to channel myself into my protagonist if I can hear her voice and write through her emotions.
  1. What personal experience do you bring to your book?
  A great deal, actually. Many of the scenes in both, One Pink Line, and my next novel, Kat Fight, are lifted from my own life experiences. It can be very therapeutic!
  1. What other projects have you written?  What plans do you have for the future?
  My next book, Kat Fight, will be released this June. It’s a romantic comedy, and my goal with this one was to really concentrate on the comedy. I always try to infuse as much wit into my work whenever possible, and Kat Fight really delivers in that department.
7.  What else can you tell us about yourself or your work that we might find of interest?
Just that I feel so grateful to be able to self publish and finally have my writing available to people. That being said, it’s still a ton of work. I spend hours (not 2 or 3, more like 6) a day trying to market my book and myself and reach as many people as I can. The work truly begins once the book is done!

Wednesday, February 22, 2012

Interview with Karen Bergreen






What a treat !   This week I was lucky enough to interview Karen Bergreen, an attorney turned stand up comic, a mother and a writer.  Karen's novel, Following Polly,was deemed better than The Nanny Diaries by one reviewer.  That got my attention.  

Following Polly has been recommended by both The New York Times and O Magazine.  Karen plans to release her second book, Perfect is Overrated, in July.  

Perfect is Overrated looks like another great Chick Lit type book.  Here is a bit from the "blurb" on Amazon.  

"What the best cure for post-partum depression? After years of barely moving, Kate springs back to life when the mothers-you-love- to-hate in her daughter’s preschool begin to turn up dead." 

Here's her take on what she does and how she does it!

1. Tell me about your story, not just an overview, but what it is that makes it special to you.


 I grew up in Manhattan, attended Harvard College, went to law school and worked as a lawyer at a well respected firm, but my parents really wanted me to become a starving stand-up comic so I gave up everything I knew and started from the beginning.
2. How do you develop a character?

 I always say start with the truth and end with a lie.  You don't want to describe your best friend or mortal enemy on paper--that's what all those years in the law has taught me. I usually obsess over a particular aspect of an individual I may or may not know well.  For example in Following Polly, I created Mona Hawkins, an unpleasant casting director. I do some acting, and there is a particular casting office I can't stand.  Every time I'm there, the assistants along with their boss spend more time studying the various NYC takeout menus than in moving along the auditions.  It's like a big lunchroom over there.  But the woman who owns it is super skinny and sneers at the non waify actresses--even if the script calls for someone with a little chunk. 

But that isn't interesting enough for me to put in a comic novel.  So I make the boss a former chubster who has had bariatric surgery but still wants to eat all of the time. She is obsessed with every restaurant in the neighborhood and forces her underlings to code the menus.  She eats ten bites of ten entrees every day for lunch and refuses to let anyone give the leftovers to the poor.  From this, her character grows.  Anyone who does this isn't nice to work for.  And then I imagine all sorts of horrible things a mean, hungry, control freak boss could do to people over whom she has power. It's kind of fun.
      3.  How does plot happen for you?  Does it evolve as you write or do you outline it in advance?  Describe the process.

Plot for me starts with a premise. In Following Polly for example, I asked the question: what if someone were to follow someone else around obsessively?  Again, this just isn't interesting enough to sustain a whole novel.  So I ask, what could make it interesting?  I know, I say to myself: the followed person ends up dead.  And then to make it more interesting, the follower is the obvious suspect because she has left a trail of evidence. 

Alas, I  then have a problem, I want the book to be a fun, and death is less fun than no death.  But all is not lost.  I make the character Polly so loathsome, we don't mind that she is killed.  And I make Alice so sympathetic that we don't mind that she is so insane that she followed her.  So I have to do the back story on both.  The remainder of the  novel moves forward by Alice getting out of the situation based upon what she learned while she was following Polly.  And because I need to have a little romance, I  throw in my fantasy love story.  
4. Do you write in first person?  Third person?  Why did you choose that point of view?  In what way does it make your work stronger?  Did the POV present challenges for you ?

I write in the second person.  It's all about you M.H. --haha

First person is easier for me. I have a lot of acting training so when I write I become the character I'm writing. I became Alice in Following Polly--Alice is funny, un-confident, and insecure--she is sort of an orphan, and she has no idea what she wants to be when she grows up.   In my new book Perfect is Overrated,  I became Kate. Kate is way more confident and competent than I am, but I write as if I were incredibly self-assured.  Becoming the character makes it easier to write. 
5. What personal experience do you bring to your book?

Interestingly, I followed a person and then she was murdered and I was the suspect--Nah, but wouldn't that be awesome.  I bring some of my emotional life to the book.  Like Alice, in Following Polly, realizing my hopes and dreams didn't come easily to me.  I was paralyzed by other people's expectations of me. As for Perfect is Overrated, my upcoming novel, the protagonist is getting through post partum depression.  I pulled some of my own struggles from when my children were very small.  The book also satirizes some of the Mommy-types with whom we are all familiar.
6. What other projects have you written?  What plans do you have for the future?

Perfect is Overrated will be out in paperback and in all of the e-books in July. I am going to keep writing more of these coming of age for women tales.  I also have an idea for a YA.
7.  What else can you tell us about yourself or your work that we might find of interest?
As I said, I am a comic. I perform all over the country.  I love Facebook and I write funny posts. Friend me

Karen Bergreen
Following Polly: A Novel
kbergreen@aol.com




Here are links to Karen's two books:

Sunday, February 19, 2012

Interview with Gail Baugniet

Author Gail Baugniet treated me to one of her Fast Five interviews.  Gail Baugniet's blog post is HERE

Here is a peek:


FAST FIVE: Maureen, can you share with us a more detailed account ofNIGHT WALKS SOFTLY and your research for the novel?

M.H. GERBER: Night Walks Softly is Anne’s story. We start in the middle of the action; Anne has already fallen in love, decided to leave Chicago and her job at the Art Institute, a job, not a career, to marry Dan Stedman. Dan’s dream is to go back to the town of his roots, to open a law practice, and to have a life that matters all while surrounded by family and community. He is steadfast and rooted, qualities that Anne finds appealing from the start. She has never felt “solid” in her setting; she is looking for meaning. Anne wants connections........


Monday, January 30, 2012

Sunday, January 15, 2012

P. 82 Blog reviews p. 82 of Silent Night!

Herb Mallette is an author with an interesting concept.  He is asking authors to share page 82 of their books, and using this one page, he'll write a review and decide if the book is compelling.

 I like page 82 of my newest book; therefore, I thought that maybe he should take a look.

Click on the link to see his response, and his review of page 82 of other works, some famous!

Plus...you get a peek ahead into Silent Night.  Just a peek though!  Hopefully some of you will read Silent Night, my most romantic and hopeful book yet.  Take care!

Herb Mallette's review of page 82 of Silent Night

Monday, January 2, 2012

Night Walks Softly. On 5-star books again for January!

Night Walks Softly has been selected for another month on 5 star books!  Go to their site to find great books for your kindle or nook.  Night Walks Softly on 5-star books.
  Breaking news!  Should Night Come just selected!!

Friday, December 30, 2011

Chapter One : Silent Night

Spoiler alert :  All three of my books are a series.  The best way to read them is in order.
Book #1 Night Walks Softly   Book #2 Should Night Come   Book #3 Silent Night

My books are 2.99 and are available at Amazon, Barnes and Noble and Smashwords.


Silent Night will be available soon.  I am so excited to share Deb's story with all of you.


Please consider joining this blog (bottom right) for more updates!   Leave me some comments!  Thank you!  Happy 2012!  MHG

If you've read the other two books, go ahead and take a peek at chapter one of Silent Night.












1.

    The day Deb found out that she had cancer was the same day she feared that Gary was back.
     It was early December.  Heavy round white clumps of snow bent young tree branches almost to the ground.  They sprawled at the edge of the sidewalk.  Though Yellow River looked like a fairyland with cottony panicles of white covering the trees, Deb noticed the jagged branches, leftover like a snowball that had exploded at its target.  Deb was jogging, as she always did in the early afternoon.
    The sweat beaded on her back and neck under the heavy down jacket.  She took off her mittens.  She could feel cold air rush into her lungs as she breathed in.  The crisp air invigorated her; she went faster.  The workouts were a routine for Deb, a necessity since she spent so much time in the kitchen surrounded by that which was delicious.
     Deb was a cook.  She was the kind of cook to cook for cooks, a perfectionist, an artist with food.  Food was her passion and also her bête noire.  If she had the ingredients, the timing, the precision just the way she wanted them, all was well with the world.  If not, she felt she had failed.
     It was this attention to detail and sheer skill with a pan, a rolling pin, or a spatula that had made Deb an instant success in the small town of Yellow River.  Her shop was her home.  She planned parties, catered events for the hospital, for local companies, for civic groups.  Her vision had improved Yellow River’s collective palate in the seven months she had been in business.  Mesclun had replaced iceberg, Gorgonzola had won out over Swiss.
     She jogged up to the house.  Her headband was sweaty; her face glistened.  It was time for a shower and then off to her office for organizing.  She had cookie trays to do for the Women’s Society and hors d’oeuvres for a local attorney’s holiday party.  And a wedding on Saturday.
     Her cell phone rang.
     Deb thought about not answering.  The phone ruled so much of her life as an independent businesswoman --- quick frantic calls for a dessert when the flàn had failed or measured organized voices demanding Deb’s capable perfection for an evening soirée at one of the grand homes on the river.  Deb did it all with finesse.  But something inside her did not want to break the still peace of that afternoon.  The light hit the snowy trees and made them sparkle as her feet jogged on.  She sighed and slowed to a walk.  This was their livelihood.  She picked up the phone and opened it.  “Hello?”
     “Mrs. Schloss?”  The voice was professional, disinterested.
     “Yes?”  She knew then that it was not an order.  Orders to the shop always came for Deb.  Only Deb.  She no longer considered herself Mrs. Schloss.
     “Your mammogram showed some areas of concern.  Could you come over today to have another look?  The doctor wants to see you.” 
     Deb’s breathing came in bursts, lungs fighting to get air as her mind fought to take in this news.  The world was suddenly grey.  She shivered.  “How soon?”  She whispered, eyes floating up to the sky and fixating there on the scattering of clouds that blanketed the sun.
      Just then Christina rounded the corner, face rosy with life, skipping.  The sight of the high blond ponytail bobbing with each stride, made Deb smile.  She waved and pointed to the front door. Deb walked in with Christina, patted her daughter’s head and scooped up the mail with her free hand.  
     The receptionist had found a free appointment.   “I see.  Tomorrow is fine.  Eight o’clock is good.”  She sighed and snapped the phone shut.  She just would not think about it now.  This happened all the time, she told herself.  She was healthy.  She ate right.  She followed the rules.  She was good.  This would just not happen to her.  It could not happen to her.  Not now.
     They had entered the house, warm air wafting around them in a cocoon of comfort.  She flipped the mail over in her hands and smiled at Christina.  “How was your day?”
     Christina had hung up her coat and put her boots and mittens in the cubby in the mudroom.  The back hallway connected the kitchen door to the back door with the stairs to the basement off to the side.  There was just enough room for a set of hooks for jackets and a small bench with boots tucked underneath.  A cubby for mittens was on the seat.  Deb pulled off her headband and gloves and stowed them there.  She put her coat on the shiny brass hook right next to Christina’s.  Their two coats.  That was just as it should be.
     Christina reached for the cookie jar.  She had thought of the molasses cookies all day.  “School?  It was fine. We had a substitute.”   She bit into the cookie, finding it soft and sweet with a little bite of spice. 
     Deb paged through the mail.  So much junk mail, she thought.  And bills.  And nothing in the paper.  Then she stopped.  There, out of the corner of her eye, she saw the headline.  She looked up.  Christina was balancing on the balls of her feet and looking out the window, humming.
      “Do you have homework, honey?”   Deb’s question was sharp.  Christina’s ponytail stopped bobbing.
        Deb’s heart pounded in her chest, drowning out everything.  She felt faint.   She breathed and steadied herself.  First the doctor’s office and then this?   She attempted a smile.  It was a small upward movement of the corners of her mouth that fought not to be a grimace.
     Christina put her heels back down.  “Homework?  Yes.   I have a whole story to write!  And illustrate.”  She cocked her head to one side, ponytail flopping to follow suit.
     Deb’s smile was genuine now.   Christina loved that kind of thing.  “Why don’t you get started?  I’ll call you for dinner.”
      Christina grabbed her backpack.  “Kay.   Is Peter coming tonight?”
       Deb’s hand went to her forehead where she could feel the ridges on the skin.  Her worry lines.   “No.  No.”  Thank heaven, she thought.  “Not tonight.  Tomorrow.” Christina was already up the stairs.
       Deb sat at her round oak table and stared a moment at the paper.  “Local doctor” was all she could see.   She unfolded it and spread it out.




     Phillip sat back in his chair in the stone villa.  It was frosty outside, no snow in the Paris suburbs, but a chill was in the air, none-the-less.  A faint fire crackled in the ancient stone fireplace, large enough for him to walk into.  He put one leg over his knee and stared into the coals.  It would be Christmas soon.  He would be seeing Anne.
     He had tried to forget Anne.  She was married.  She was a mother.  Yet, despite all of that, he was still in love with her.  This sentiment was made only stronger by the fact that his mother was gone.  He would be spending his first Christmas without her.   If grief were a process, he thought, his journey of this past year must have been a part of all that.
     He stared at his bag, a simple leather carry-on, sitting in the corner by the door.  There was a slow rap at the door.  Phillip sighed and pulled himself out of his chair.  He was in admirable shape for a man of his age.  Long strong legs, thin hips and broad shoulders, not too broad, just broad enough to give him a lean yet refined look.  He wore his signature jeans and pressed white shirt, arm creases adding a sharp vertical line.  His work clothes. 
     His hair, completely grey, was trimmed short and showed off intense brown eyes and the kind of mouth that was always fooling, always laughing at something, another, a situation, or himself.  There was a furrow to his brow now, a furrow that before losing his mother, had not existed.  It had been a hard year.
     He walked to the door and opened it, long strong fingers grasping the timeworn wrought iron handle.  A gust of wind blew in with the visitor, a hugely Gallic man.
     “Ah, Bruno!”  Phillip smiled.  “Please!   Come in.”
     Bruno, answering in a French that was much more filled with patois than Phillip’s standard version, shook his head.  “Monsieur.  You air crah-zy, fou!  Zair eez nozing for uu thair, een Amérique!   Geet a good French wife.  You air steel young!  My wife, she say you vairy good-looking…”   He winked.
     Phillip looked down, still smiling.  “So you want me to take her off your hands?”
     The burly man slapped him on the shoulder.  “Zat ees a promesse?” 
     Phillip nodded toward the bags.  “Bruno, I’ve left every instruction in the kitchen.  Just watch the place for me, will you?   And thanks for the lift to the airport.”  He walked back to the fire and put out what remained, lost again in his own thoughts.  The last embers flickered and went out.  Time to go home, he thought.


           The paper sat on the table, opened.  Deb put her head in her hands.   He was out.  The paper had said that Gary had been released because police evidence was not admissible.  Tampering with evidence.  Hung jury.  Could not come to a conclusion.  Mistrial, out until the prosecution can perform another trial.   She did not understand any of it.   Her head felt like a lead weight. 
           The kitchen was still the same kitchen.  French blue paint, natural pine woodwork, and vestiges of her passion, her livelihood, everywhere.  She had cookies cooling on racks, phyllo cups baked and ready for the surprising combination flavors that would make up the fillings.  On the sturdy farm table rolls rose in the huge blue stoneware bowl, pushing the damp towel that covered them up, burgeoning, growing.  She hoped that if she did have cancer, it was not like those yeast cells, popping up bigger and bigger with happy abandon.  She put her hands to her breasts.  She shook her head.  She had no way of knowing.
        She watched the dark sky start around the corners of her kitchen window.  Outside, the landscape was the desolate flatness of northern Indiana in the winter.  Flat, plain, and in its simplicity, very comforting and beautiful, in the minds of many.  Not to Deb.  Not today, not any day.  Deb lived in the moment.  She stayed busy, and while she would notice the golden brown and flaky crust of a perfect croissant, or the gentle mix of a new set of spices, noticing the beauty of a landscape that had been her background all her life was not typical.   She watched the darkness and could only think of what night would bring.  How would she ever sleep knowing that the doctor may find something terrible and that Gary may be outside, waiting and watching?